My daily March Covers, March 11-20

I don’t even like all these songs…can you guess which ones I think are keepers? :wink:

March 11
“I Wanna Fall In Love” by Alexander Oyen Sage
based on a cover by Haley Bond

March 12
“You Love Who You Love” from Bonnie & Clyde, the musical

March 13
“The Way I Am” by Ingrid Michaelson

March 14
“A Thousand Years” by Christina Perri/Twilight soundtrack

March 15
“My Grandmother’s Love Letters” (Laura Osnes style)

March 16
“Abilene” (George Hamilton IV cover)

March 17 (St. Patrick’s Day)
“Danny Boy”

March 18
“You’re Going to Lose That Girl” by Lennon-McCartney/The Beatles

March 19 "Istanbul (Not Constantinople) in the style of They Might Be Giants

March 20
“When I Look At You” Miley Cyrus cover but more inspired by Julia Sheer’s version

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I did the “'ole click thru” - since all I had time for.

I can’t tell, since you ask - which tracks you may not care for.

  • You do, or pick orchestrations that “fit” you, how to say that. I think a musician knows what “that” is, and does it.

So, I think it’s great I can’t tell.

However, I would find it enlightening to hear which you like and/or don’t care for so much, and why, etc. But, hey, who has time for all that? : )

Thanks for taking a peek! :slight_smile: It’s interesting you say i pick songs that “fit” me because a number of these 20 covers this month were NOT songs I chose, but songs my student wanted to learn. That said, I’m doing the orchestration, as you said, getting good at tweaking songs to make them work for me, especially when it comes to style of playing and transposing both for my voice and playing level.

Of these 10 songs, the Beatles on the 18th and TMBG on the 19th are the only ones I would tend to learn and play for myself. :slight_smile:

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Yes - a long time discussion I’ve had with some of my more, performing, friends was that they advocated for a “note for note” Cover, versus an adapted interpretation. It seems, while that NforN thing may have been a thing - presently, one friend in particular in my region said, he could presently “quit his day job” and make it on his gigging work (all covers, and some real work, not “easy”, etc., and some tunes he really, really does not “like”).

It’s interesting to watch trends.

For me, if I had to (had to) cover a song I didn’t like and could not interpret it to “me” (I’d wonder why they’d want that), but aside from key and range I would/could.

Hahhh… I’m not a fan of that “wedding march” as-is - but in a neoclassic, over driven with slight slap-back and reverse pedal I am sure I could. I guess, just keep the down and back beat, such as it is and they’d make that last 50 feet okay.