Love me - presley Wild at heart Lynch rip

whisperrd at midnight…one take

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ZONG!!! :smile::upside_down_face::upside_down_face::upside_down_face::melting_face::melting_face::melting_face:…2 months moaning just to complete 20 characters!

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  • oops went on a bit to long, let me check this and get back : )

Okay - i’m back…, next day…:

So,

  • what happens is, I am at “work” and take a mind break (doing this stuff with music online, keep a guitar at my desk, etc.) versus cigarette, coffee, whiskey shots… and well, as some may know, realize - your workspace “head” see’s things differently and within different protocols - and so I go long. So, you didn’t really need to know that, but, derUgo anyway… so what I thought when you first put this up, now bumped it again for comment - and not sure how to say it was:

When I hear music, I contextualize it in my “head”; and, even “hear into it” - a full orchestra if want to. It’s likely why I record 1v1g, stripped down, minimalist since hear the orchestra/band anyway if care to.

So, when hear this it immediately struck me as a really great “movie” backing track.

  • A long pan, intro, outtro, result shot of some “dark/light”, “horrible/wonderful” thing - if that makes sense. As many know, a Pan, Zoom, etc. needs to “go somewhere for a reason” - like a “Bridge” in music ? - lots of bridges out there to no where lol! (It’s not an outtro widget as I hear used often - it seems.)

I risk “going on to much” again, so end it there. That track as-is or mixed/enhanced - good for that… I imagine a “large field of broken bodies, and hearts in colorized noir that leads to what good that came of it, what they did” - as this song played it’s nearly 5 min. The song would “make” the scene.

  • Or not :slight_smile: skip it if makes not sense - as always…