Jolene - CAKE (all caps)

I should have know better than to think that I would produce much during October. I work in student services in higher education and October/early November are one of the busiest times of the year.

I recorded a few songs in early October but didn’t have time to pull them off tape until this weekend and I just noticed that this site is still active, so I figured I’d post it here.

I recorded this on my Tascam 424 mkii. I was practicing using two mics and having them cancel each other out. My mixing needs a lot of work, but I am happy with how the recording came out given my goals when I started. I’m using a Shure Beta58a for the vocals and a Pinnacle Fat Top ribbon for the guitar.

Great groove. I liked the single mic version you had there too. Well done. It’s a great song, track.

1 Like

Thank you! CAKE is one of my all time favorites.

I think that I like the performance I did with the single mic but think that the two mic one is a better recording.

1 Like

Yes, both were good (recordings).

  • One can’t account for what the listener is using. I think both would present well on most anything.

All of mine here this year are all cell phone recordings. Otherwise, I go for “ear buds” (“EQ” for…), and which tend to be a tad “muddy” as they may go. I am sure you are well aware from your tracks. It’s a tough thing.

One thing I found, is that, over time some of the “mastering” overlays when I run them have no effect, or nearly none or even cause what I call/is compression distortion. Allot of that is a very scooped middle which is interesting.

Hahh, one spends so much time working on their “tone” (guitar players, et alia) and then, if not played live - does not matter, arguably.

I like short skirt/long jacket : ) hahh… they’re an interesting sound which we don’t get to much of in the present music environment.

  • Anyway, great work, you have a great sound and keep it “simple” - so to speak… hahhh nothing simple about simple either! : )

I mixed all of those acoustic tracks with headphones only - my “studio” is right in the middle of the living room and I pulled these all from tape while they were home.

I usually mix on headphones first and then go through my monitors, but didn’t have the chance this time. I was listening to the two mic Jolene in my car and there was some crazy boomieness I didn’t pick up on. Headphones are such liars!

I need a lot more work on mixing, but it’s becoming as fun as recording now, so that’s good!

1 Like

If you don’t mind mentioning it, with what are you playing, and into? Your tracks, to me, a quite clean. When you process them, with what are you doing it? Starting with a great recording is the first step to a good track : ) And, you record it seems all dry, no effects - imo, always the way to go to then after recording, then “produce” lol!

I skipped through all your tracks on SC. They all have a great consistency. To see pup sound checks means, you are a live player, with possibly, drums too. All great stuff, especially today with all the packs of stuff around. Getting a nice full drum recording is not always that easy. There’s not enough time in a day to do some of this stuff and have a “day job”, family, etc!

Thanks, man!

I’m playing a Fender Catalina acoustic guitar - it was made sometime in the mid to late 80’s as best as I can tell.

For the two-mic recordings I used a Pinnacle Fat Head ribbon mic on the guitar and a Shure Beta 58a for vocals. I like to use the proximity effect and sing very close to the mic. I also feel like singing close on such a sensitive mic allows me to keep the preamp on the mic low which helps to lower overall noise. I don’t have any sound treatments in my house, though I do hang a blanket against the wall that I sing into.

The mics go into an ART PRO MPA II. From there into my primary mixer which is a Mackie 1604 VLZ and I then use the L/R out of the Mackie into my Tascam 424MKII. I pass it through the Mackie because it’s got my reverb unit on an AUX channel and I’m comfortable using it (the Mackie is currently rigged up to serve as a tracking/mixing desk for my 8-track ADAT, so it’s always ready to go).

So these were all recorded on cassette tape (everything on my SC is on cassette and done similarly. “Skipping Stones” was a collab from FAWM, though, and I only played bass and mixed that one).

I mixed them out of the Tascam, through an ART VLA II compressor, into my audio interface (which is actually an A&H mixer) and into Reaper.

I don’t do any processing in Reaper - I only use it to mixdown, basically. I also only EQ from the Tascam. The EQ on the Tascam is kinda wacky but I’ve gotten fairly comfortable with it and I like how it sounds.

Any drums are from an MPC.

Here’s a family photo of my “studio” lol

1 Like

Hahh, great! I kind of asked since I could “hear” all of that in your tracks and wondered if correct at all : )

So, “wow”, yes that’s quite a setup.

I have an old mult-track Cassette set up - I really should experiment with; it’s used so little and have a small “carton” (was it #20 in a box?) of high fidelity gold major brand, still sealed. I remember when folks were tossing them in the trash or offering them if you paid shipping but had to say - what used for : ) since - could not imagine them being used!

I’ll have to write down my signal chain too one day - though not to far from yours, ± barring the Tape, no where a nice or organized - I use the pile system : )

My first year in college involved access to “state of the art” 16 track, Tape and etc.; but that was a long time ago.

And wow, DAT - hahhh… my first job out of high school was managing a Sony sponsored, “Stereo Store” hahhh… - tltr for here, different conversation… but, have not heard of that in a while. I really took stuff like that for granted too, then, - even Reel - to - Reel equipment. I loved the Revox recorders, the staple standard at any Radio station, with “Cart Cassettes” for the promos hahhh… man - it would be fun to be an old time DJ “today” with all the old Tech and having to Cue up LP’s. I, somewhere have an “air check” tape (just the “job”, cut out all the music and PSA’s, Promo’s condensed “check” to minutes - kind of an audio resume - you could do it, or not and showed that). There’d be no way to play it : ) as is, hahhh… omg.

Anyway, thanks for sharing!

  • This makes me think of “Jack White” in one of his videos, where he put’s his guitar on the floor and stomps on it and says to his younger self (some kid actor) - pick a fight with it (guitar) and play the hardest to play, nastiest ?, guitar you can find : ) - I agree… and experiment, or used to, not lately - quite a bit and with others at that time. I’m glad there is an “Experimental” genre one can list under, or even “Lo-fi” pending where one is.

I’ve seen, read folks evaluating what someone “knows” - based upon their “radio ready” tracks…, hahhh… - boy are they wrong : )

I forgot which album it was, but Eric Clapton was living at a studio on some beach somewhere and would be out, and come back and in that moment, alone record first pass one take even ?, and that stuff is minimal if even then dubbed - and that’s the album, as-is, demo’s. Tom Wait’s “early years” album I think is the title, are all “demo” tracks - and mostly the only stuff I like of his, so to speak. There’s a few, that one would be surprised by the “engineering”, sound, but - they don’t “gas” : ) hahhh. I could go on.

Ahh, but I go on to much.

Anyway - again, thanks for sharing all of that; I know it takes some effort to post all of that!

1 Like